Tasha slammed a cease-and-desist on my counter, printed by some cousin with a paralegal certificate. “Doreen’s Peach” was her mother’s intellectual property, she announced, and I was a thief riding a dead woman’s coattails. Customers froze mid-bite. A woman with a stroller quietly set down her fork. I wiped my hands on my apron and asked Tasha if she was finished. She smirked. “Close by Monday, or I’ll bury you.” I walked to the back, lifted the leather recipe book Doreen left me, and brought out something Tasha had never seen: the second envelope tucked inside the cover. Doreen’s lawyer had given me a copy the day of the funeral and told me to use it only if Tasha came for me. I unfolded it on the counter. It was a notarized assignment of rights, dated eight months before Doreen died, transferring every recipe, every trademark, every variation of the Sullivan family bakery name to me, Hannah Sullivan-Reyes, in exchange for “care, devotion, and the daughterhood she chose me into.” Underneath it was a letter in Doreen’s shaky handwriting, addressed to Tasha. I read it aloud, because the bakery had gone silent and Doreen deserved to be heard. “Tasha, if you are reading this in Hannah’s shop, it means you tried to take from her what you would not earn. The house was yours because it was walls. The recipes were hers because she was there. Be ashamed, and then be better.” Tasha’s mouth opened and closed like a screen door in the wind. The woman with the stroller started clapping. Then the line behind her did. Tasha grabbed her cease-and-desist, but I slid it back. “Keep it,” I said. “Frame it next to the flowers you sent from Cabo.” She left without buying a pie. The next morning, I changed the sign out front. It now reads: Doreen’s Daughter Bakery. And every Sunday, the first slice goes out the door for free, to anyone who shows up alone.
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