“You people think you can just wander in here and touch things?” she hissed, snapping her fingers at two security guards near the door. “Escort this creature out. And check her pockets first — I don’t trust those types.” I tried to explain that I was only waiting out the rain, that I hadn’t touched anything, that I had money in my wallet. She cut me off by shoving my shoulder hard enough that I stumbled into a display case. A necklace fell. She gasped theatrically. “She’s destroying merchandise! I want her arrested!” The guards grabbed my elbows. My phone slipped out of my hoodie pocket and skidded across the floor. That was when the front doors opened and a line of black cars pulled up along the curb outside. Four people in charcoal suits walked in with earpieces and clipboards, followed by an older woman with silver hair and a quiet, unreadable face. The clerk straightened instantly, plastering on her brightest smile. “Madame Chairwoman! We were expecting you at three — welcome to Vermeil & Rose, our finest boutique in the country.” The silver-haired woman didn’t even glance at her. She walked straight past the counter, past the frozen guards, and stopped in front of me. She picked up my phone from the floor, brushed it off, and placed it gently back into my hand. Then she turned to the clerk, her voice as calm as still water. “You’ve been screaming at my only granddaughter for the past six minutes. The one whose portrait hangs behind you. The one whose signature is on every contract in this building.” The clerk’s eyes drifted, slowly, to the enormous oil painting above the register — the same tired face, the same gray hoodie, the same duct-taped sneakers. Her smile cracked. Her clipboard slipped from her fingers. And somewhere behind her, one of the assistants quietly began drafting a termination letter.
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